Paris- Japanese Yuima Nakazato placed Thursday surveyed in a universe of the theater No, populated by dancers and models colorful auxcheveux, on the last day of haute couture in Paris under the sign of the dumulticulturalism.
The contrast is striking between the dancers with whitewashed faces and evanescent coated which perform pantomimes, like ghosts, and lapresence of women and men who parade with their large Gothic boots, shoes rarely seen in haute couture. With their cutsAsymmetrical and red hair and purple, they seem right out of manga. The bright colors and psychedelic patterns on kimonos and desoriés dresses stand out in the sober interior of the Louvre oratory, temple -potting where the parade takes place in scrollsof smoke.
A graduate of the Royal Academy of Fine Arts in Antwerp, Yuima Nakazato, 37 years old, who had previously created costumes for singers, remains faithful to his theatrical and experimental aesthetic questioning the relationship between bodies and society.
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For his last day Thursday, haute couture week will have scrollded in the afternoon the Cameroonian Imane Ayissi and Russian Yulia Yanina. Ancienne dancer of the National Ballet of Cameroon at the company of Patrickdupont, model for the biggest brands of luxury, Imane Ayissi is in history in 2020 by becoming the first creator of AfricaSaharienne to appear in the official Haute Couture calendar. Admirate of Balenciaga, influenced by her years in the Ballet Bodies, just as passionate about African textile heritage,It cultivates cultural sound.
Maison Yanina Couture, which has just been registered in the official calendar of haute couture, as a member, will close the parades on Thursday evening.Imagined as a bridge between the Seine and the Volga, the house founded Paryulia Yanina in 1993 combines French know-how and the inheritance of the Russian arts.(AFP)