Certainly, the 1970s were constantly inspired by creators, and the Saint Laurent parade is no exception, placed under the influence of what Tom Wolfe baptized the "decade of the self". Presented Monday evening in a nightclub setting, with its share of High-Tech modernist gadgets, the collection seems to be a great commercial success. Its assortment of small black-free dresses of silver pearls, red blazers at the Monsieur Loyal, Matador pants and minijpes in leather patchwork give off beautiful energy. They will make more than satisfy the target than the artistic director of the brand, Hedi Slimane, has always been targeting - namely those who make rock, those who dream of doing it, those who revolve around those who do it and those who Just pretend to be ... the designer's inspiration book, which also serves as an invitation to the parade, presents images of Robert Heinecken, artist of Los Angeles famous for his impactful use of all pornographic imagery. After referring to the 1960s, last season, Slimane draws this time from seventies, with a lot of sequin turbans, long scarves tied around the neck, flower patterns, peas or stripes, and offense stars. Obvious tribute at that time, the various and varied rockers who flock to the Slimane parades could have gone on stage without mismatch. The applause is more polite than in previous seasons, and the creator does not come to greet.
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— Mount Aukum Winery Thu Dec 18 22:01:47 +0000 2014