Parade-Hermès-Fall-Winter 2019-2020 ready-to-wear<

I wanted an ultra-classical season, explains Nadège Vanhee-Cybulski behind the scenes.I am convinced that classicism is a modern way of considering our time.Classic, but with a suspicion of unexpected irreverence - and welcome - at Hermès.The story takes place at night, in a circular, muffled auditorium, on a thick carpet stifling the sound of the steps.Behind the wooden palisades, bulbs flash.In soundtrack, the stylist program the titles of David Bowie, Station to Station (1976), Slip Away (2002) and the duo with Iggy Pop, Nightclubbing (1977)."It is the music of my adolescence and I am very attached to it," continues the stylist.I felt good by preparing this show, relaxed, I am in my comfort zone when I hear these songs.And every time I use them, they seem relevant to me."She wanted this show as a sensory experience, arousing emotions both by sound and image.The bewitching music accompanies her models, sexier, shorter dressed than usual.The black eye, wet hair, shorts on their stockings, her daughters gain insurance, and sex appeal.The sizes of the pencil skirts are high and sheathing, the tailor jackets emphasize the shoulders, the bags curb on a belt, the gigantic parkas of firefighter and the combinations of mechanic assert this leather wardrobe and silk.Equestrian codes are never far away: jockey blouses in folded scarf, gansed overcoat inspired by horsepower blankets with saddle bags, handles in graphic brides ... Second skin dresses, in cashmere coffee with milk, are divine, thosein cream mesh, flying like competition waves, also."I wanted to bring sensuality, a quality specific to Hermès.And femininity in all the ambivalence that characterizes women.They want to be strong and vulnerable, to please as many people as possible but to leave them alone, to borrow men's clothes but to stay themselves.»»

@MikeCannyTalk Aww, Thanks Hond.

— Athyvaya🔥 Mon Mar 03 15:00:26 +0000 2014

Emilie Faure.